·Film & TV Classics

1. Zhang Yao(First-author) & Gao Xiaofang. “An Analysis of the Interior Environment of Morning TV News Programs (《早间电视新闻节目内部环境分析》)”. Economic Man·Science & Education Exploration (《经济人·科学与教育探索》) (The Citation Journal of Chinese Humanities and Social Sciences),Vol.12, 2007.
2. “An Interpretation of the Human Nature of Mr. Yi in Lust Caution (《< 色·戒>中易先生的人性解读》)”. Movie Literature, Vol.2, 2008. (Core Periodical of Peking University).
3. “The Reading of Xu Xiaopeng’s The Eclipse(《读徐晓鹏的< 月蚀>集》)”. The Contention of Literary and Artistic Thought (《文艺争鸣》)（CSSCI/Category C）, Vol.6, 2008.
4. Zhang Yao(First-author) & Zhang Fugui. “The Formation and Development Obstacles of Contemporary New Errenzhuan (《当代新二人传的形成与发展困境》)”. Dongjiang Journal, Vol.4, 2008.
5. “The Origin and Development Trend of Contemporary Chinese Network Film & TV Criticism (《当下中国网络影视评论的源起与发展态势》)”. Huaxia Wenhua Luntan (《华夏文化论坛》) （CSSCI/Category D）, Vol.9. Jilin Wen Shi Chu Ban She(吉林文史出版社), 2013.
6. “The Generation Mechanism and Communication Features of Contemporary Network Film & TV Criticism (《当代网络影视评论的生成机制与传播特征》)”. The Yangtze River Criticism（CSSCI/Category D）, Vol.1, 2014.
7. Zhang Yao (Second-author) & Liu Guangyuan. “The Key to the Studies of Contemporary Novels: The Reading of Zhou Jinglei’s Novels Have Passed Through the New Era ( 《当代小说的研究之匙——读周景雷的< 小说走过新时期>》)”. Art Panorama, Vol.5, 2007.
8. “The Emergence and Form of the Network Film & TV Criticism in Recent Years ( 《近年网络影视评论的兴起与构成形态》)”. Modern Chinese Culture and Literature (CSSCI/Category C), 2017.
9. “ From ‘Discourse Right’ to ‘Discourse Violence’: Emotional Involvement in Contemporary Criticism and Its Ideological Value (《从“话语权利”到“话语暴力”——当下网络影评的情绪化生成及其思想价值》)”. Study & Exploration (CSSCI/Category C), Vol.4, 2018.
10. “ The Communication Approach and Platform for the Contemporary Chinese Network Film & TV Criticism (《当代中国网络影视评论的传播途径与传播平台》)”. Central China Academics (CSSCI/Category D), Vol.1, 2018.
11. “ Network Film & TV Criticism Swelled in a Mad Manner and Unfair Emotional Criticism (《疯长的网络影视评论与失衡的情绪化批评》)”. The Contention of Literary and Artistic Thought (《文艺争鸣》)（CSSCI/Category C）, Vol.7, 2019.
12. “A Shift of a Viewpoint: From Actors and Directors to Scriptwriters ( 《视点转移:从演员导演关注到编剧关注》)”. Social Science Journal (CSSCI/Category D), Vol.4, 2019.
13. “ A Technical Shift of Film & TV Criticism : From Intellectual and Cultural Criticism to Artistic Noumenon Criticism ( 《影视批评的技术性转向:从思想文化批评到艺术本体批评》)”. The Yangtze River Criticism（CSSCI/Category D）, Vol.2, 2019.