·Introduction to Film
·Introduction to Television
·Radio & TV Broadcasting
·TV Programs Hosting
·History of Chinese History
·Production & Creation of Short-film

1. “ The Temptation of ‘Root’: A Comparative Study of the Creation between Akira Kurosawa and China’s Directors of the Fifth Generation (《 “根”的诱惑——黑泽明与中国第五代导演创作之比较》)”. Changchun (《长春》), Vol.2, 2010.
2. “ On the Spectacle Narrative of New Main Melody Movies: Taking The Revolution of 1911 as an Example (《新主旋律电影的奇观化叙述浅析——以< 辛亥革命>为例》)”. Movie Literature, Vol.18, 2012.
3. “ The Localization of the ‘Road Trip Comedy’ by Lost in Thailand (《< 人在囧途之泰囧>对“公路喜剧”的本土化改造》)”. Huaxia Wenhua Luntan (《华夏文化论坛》), Vol.8. Jilin Wen Shi Chu Ban She(吉林文史出版社), 2012.
4. “The Deficiency of Localized Narrative in Chinese Produced Urban-themed Movies under the Global Context (《全球化语境中国产都市电影本土化叙事的缺失》)”. Contemporary Cinema, Vol.8, 2014.
5. “ Drug War: The Localized Adjustment of Rhetorical Strategies in Du Qifeng’s Gangster Movie(《< 毒战>：杜琪峰警匪片修辞策略的内地化调节》)”. The Contention of Literary and Artistic Thought (《文艺争鸣》), Vol.9, 2014.
6. “ Gravity: The Carnival in Spectacles and the View of Reality in the ‘Post-movie’ Era (《< 地心引力>：奇观狂欢与“后电影”时代的真实观》)”. The Contention of Literary and Artistic Thought (《文艺争鸣》), Vol.3, 2015.
7. “An Exploration of the Movie Symbolism (Metaphor) Rhetoric ( 《电影象征（隐喻）修辞探赜》)”. The Contention of Literary and Artistic Thought (《文艺争鸣》), Vol.8, 2015.
8. “From ‘Author Film’to ‘Database Film’: On Zhang Yibai’s Film Creation (《从“作者电影”到“数据库电影”——张一白电影创作探》)”. Contemporary Cinema, Vol.8, 2015.
9. “Examples of the Stack Narrative Structure of Hollywood’s Psychological Thrillers ( 《好莱坞心理惊悚片的堆栈模型叙事结构举隅》)”. Contemporary Cinema, Vol.12, 2015.